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Content provided by Dylan "CineMasai" Green. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Dylan "CineMasai" Green or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
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Backxwash | S5 Episode 16

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Manage episode 484042435 series 2896691
Content provided by Dylan "CineMasai" Green. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Dylan "CineMasai" Green or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

If you'd like to see full video of this and other episodes, join the Reel Notes Patreon at the Homie ($5/month) tier or higher. You also get early access to episodes, an invite to our Discord server, access to the Reel Talk archives, and more!

My guest this week is Montreal-via-Zambia rapper, producer, and composer Backxwash. We spoke about Sinners, Nigerian cinema, our respective histories with horror movies, moving from Zambia to Canada, how Cassidy mixtapes, Common’s Be, and Lupe Fiasco’s Food & Liquor informed her rap style, the timeless appeal of Memphis rap, mixing rap with doom metal, having fun while making music about trauma, and the creative process behind her latest album Only Dust Remains. Come fuck with us.

Only Dust Remains is available wherever music is sold, streamed, or stolen. Consider copping off Backxwash's Bandcamp. Follow Backxwash on Instagram, Twitter, and TikTok: @backxwash

Read my piece, What Sinners and Chelsea Reject Taught Me About The Power of Black Cultural Memory, for Hearing Things.

My first book, Reel Notes: Culture Writing on the Margins of Music and Movies, is available now, via 4 PM Publishing. Order a digital copy on Amazon.
Reel Notes stands in solidarity with the oppressed peoples of Palestine, Congo, Sudan, Tigray, and Haiti. Please consider donating to the
Palestine Children's Relief Fund, The Palestinian Youth Movement, The Zakat Foundation, HealAfrica, FreeTigray, and/or Hope For Haiti. For information about contacting your representatives to demand a ceasefire, finding protests, and other tools, check out CeasefireToday!

Follow me on Instagram (
@cinemasai), Twitter (@CineMasai_), Bluesky (@cinemasai.bsky.social), TikTok (@cinemasai), Letterboxd (@CineMasai), and subscribe to my weekly Nu Musique Friday newsletter to stay tapped into all things Dylan Green.

Support the show

  continue reading

194 episodes

Artwork
iconShare
 
Manage episode 484042435 series 2896691
Content provided by Dylan "CineMasai" Green. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Dylan "CineMasai" Green or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

If you'd like to see full video of this and other episodes, join the Reel Notes Patreon at the Homie ($5/month) tier or higher. You also get early access to episodes, an invite to our Discord server, access to the Reel Talk archives, and more!

My guest this week is Montreal-via-Zambia rapper, producer, and composer Backxwash. We spoke about Sinners, Nigerian cinema, our respective histories with horror movies, moving from Zambia to Canada, how Cassidy mixtapes, Common’s Be, and Lupe Fiasco’s Food & Liquor informed her rap style, the timeless appeal of Memphis rap, mixing rap with doom metal, having fun while making music about trauma, and the creative process behind her latest album Only Dust Remains. Come fuck with us.

Only Dust Remains is available wherever music is sold, streamed, or stolen. Consider copping off Backxwash's Bandcamp. Follow Backxwash on Instagram, Twitter, and TikTok: @backxwash

Read my piece, What Sinners and Chelsea Reject Taught Me About The Power of Black Cultural Memory, for Hearing Things.

My first book, Reel Notes: Culture Writing on the Margins of Music and Movies, is available now, via 4 PM Publishing. Order a digital copy on Amazon.
Reel Notes stands in solidarity with the oppressed peoples of Palestine, Congo, Sudan, Tigray, and Haiti. Please consider donating to the
Palestine Children's Relief Fund, The Palestinian Youth Movement, The Zakat Foundation, HealAfrica, FreeTigray, and/or Hope For Haiti. For information about contacting your representatives to demand a ceasefire, finding protests, and other tools, check out CeasefireToday!

Follow me on Instagram (
@cinemasai), Twitter (@CineMasai_), Bluesky (@cinemasai.bsky.social), TikTok (@cinemasai), Letterboxd (@CineMasai), and subscribe to my weekly Nu Musique Friday newsletter to stay tapped into all things Dylan Green.

Support the show

  continue reading

194 episodes

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